Balintawak
Arnis/Escrima
Venancio
Bacon
or Anciong as he was known by his Filipino
nickname, was the first to call his school/club Balintawak, but he was
not initially the major inspiration behind the Cebu Escrima movement.
To find the beginning
of the Balintawak school, you must look at the early twentieth century
innovators and originators of the collective, Arnis/Escrima movement in
Cebu.
One of the first major
Escrima schools in Cebu was the Labangon Fencing Club
of the 1920's. The Saavedra family, especially Lorenzo
Saavedra and his nephews Teodoro and Frederico Saavedra and the older
Cañete brothers were the main influence and force behind
it. Venancio Bacon was one of the Saavedra's students and also, was a
close family friend.
During
the 20's, because of what some say was due to political infighting between
members
and through a general lack of interest by some, the Labangon club folded.
Later in 1932 the Saavedra's and Cañete's became founding members of another
Escrima club, the now famous, 'Doce Pares'.
The new club being made up of some of the old Labangon club members are
said to have wanted to try and forget the past and de-localise the name
of their new club, by not using the old name of 'Labangon'. Labangon is
a suburb of Cebu and it's loose translation into English is something
akin to 'A bridge over running water'. The members wanted to give the
club a more regional appearance with a more dramatic, recognisable name.
Some older Escrimadors from Cebu, from their point of view, believe the
older club simply evolved and adopted the new name 'Doce Pares'.
In
World War Two the Saavedra family was all but wiped out by the Japanese
and after the war the Escrima school was far from the remaining Saavedra
family members minds. One family group developed the leading major role
in the Doce Pares. A political division broke out, with this family and
the deceased families instructors and students. Anciong Bacon',
one of these disgruntled instructors, due to personal and political reasons,
decided to break away and opened his own club. He opened his first gym
in Balintawak street in Cebu City in 1951.
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The term
Balintawak refers to an area in Luzon where
in 1896 a successful revolt and battle took place against the Spanish.
Balintawak was later used by other Filipinos during different battles
as a war cry, so Venancio thought it fitting that his new club should
be named after the street where his club was located and the patriotic
symbol and battle cry of the warriors of his country.
Venancio was expert in
several styles of Escrima, and was also skilled in Boxing, Filipino
grappling or Dumog and Jui Jitsu, which
is referred to by some Filipinos as Combat Judo. He
reasoned that by combining the theories and concepts of these different
styles of fighting a very rough and effective form of Martial Art
could be produced. His style of teaching however was quite different
from the way some Balintawak schools teach today. Anciongs
style had no clear lines of instruction, his students were taught
techniques and fighting principles at random.
One of Venancios
successors to Balintawak was a Lawyer called 'Attorney
Jose Villasin'. He set about to systemise
and group the style into its various categories so that
his students could master one set of related techniques and then
move onto the next set of related techniques. This is the juncture
where several distinct schools of Balintawak
emerged. Many of Venancios Balintawak students and some of
Venancios and the Saavedra's older Doce Pares students continued
to teach in the old style of random instruction, while Attorney
Villasins family and close friends/students used his unique
grouping method.
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One of Venancios
successors to Balintawak was a Lawyer called 'Attorney
Jose Villasin'. He set about to systemise
and group the style into its various categories so that his
students could master one set of related techniques and then move onto
the next set of related techniques. This is the juncture where several
distinct schools of Balintawak
emerged. Many of Venancios Balintawak students and some of Venancios
and the Saavedra's older Doce Pares students continued to teach in the
old style of random instruction, while Attorney Villasins family
and close friends/students used his unique grouping method.
Some instructors from
the different instructional styles state the grouped method is modified
Balintawak. This is not so. The techniques and principles of Grouped Balintawak
have not been made different in form, restricted, varied, or limited in
any matter and have been observed to be still, all the same. It is simply
the method of teaching that has been examined and refined.
Even some
older Doce Pares Grandmasters (whom we have had the privilege to have
trained with), whose lineage comes from Bacon and/or the Saavederas all
have the same style and moves, (if their instructor had any length or
high degree of training) but they simply do not have the same teaching
system.
Another Balintawak student
of Venancio and then instructor
for Venancio, Timoteo E. Maranga formed his own school of the 'Super Kuwentada
Escrima System' ('Kuwentada' or 'Cuentada' or counting as it translates
into English was a name Venancio sometimes called his style) and taught
in the special regimen of his own school. Most of Attorney Villasins
family and close friends/students however used Jose's unique grouping
method.
One
student of Attorney Villasins was 'Teofilo A. Velez' (Teovil
or Filo). He formed his own club and began to teach but while Attorney
Villasin only taught privately to close friends and relatives Teofilo
opened his club to the general public.
There are now a number of Balintawak
schools scattered throughout the Philippines as well as Australia, Canada,
Europe, New Zealand and the U.S.A. Some of these Balintawak schools are
from both methods of random instruction and grouped instruction. All of
these schools have the right to call themselves Balintawak, if they or
their instructors can trace their instruction back to Venancio Bacon.
The Visayan Martial Arts school teaches both the grouped
method of instruction of Balintawak as taught by Teofilo A. Velez and
the method of instruction of Timoteo Maranga's form of Balintawak.
Teofilo Velez and Henry Jayme demonstrating
at the Arnis-kali-Escrima !st World Instructors Seminar in Cebu City, August 1987.
Video
of the Balintawak section of the Arnis Escrima Kali 1st World Instructors Seminar of 1987
was received in 1998. It's old video but those that were there may be interested. See if
you can see your face in the video freeze frame captures. Go to the Rare Video Balintawak page to see these captures.
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©1998-2003 John Russell
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